Cinematic Blind Spots: giving voice to what was once hidden

    Press/Media: Other

    Description

    Karen Pearlman’s screen trilogy, comprising  Woman With An Editing Bench, After The Facts, and I Want To Make A Film About Women offers an engaging and touching account of cinema history’s several neglected women filmmakers, alongside other creative collaborators in the 1930s and the era of Stalin. This trilogy provides an invaluable experience both for cinema-goers in general, and, more specifically, should be in the core curriculum of any screen production training program.

    Subject

    Australian filmmaker Karen Pearlman has been receiving great acclaim around the world for her Soviet Women Filmmakers Trilogy of short films, which finally celebrate some unsung cinematic pioneers.

    Period9 Nov 2022

    Media coverage

    1

    Media coverage

    • TitleCinematic Blind Spots: giving voice to what was once hidden
      Degree of recognitionNational
      Media name/outletFilmInk
      Media typeWeb
      Country/TerritoryAustralia
      Date9/11/22
      DescriptionKaren Pearlman’s screen trilogy, comprising of Woman With An Editing Bench, After The Facts, and I Want To Make A Film About Women offers an engaging and touching account of cinema history’s several neglected women filmmakers, alongside other creative collaborators in the 1930s and the era of Stalin. This trilogy provides an invaluable experience both for cinema-goers in general, and, more specifically, should be in the core curriculum of any screen production training program.
      Producer/AuthorMark Seton
      URLhttps://www.filmink.com.au/cinematic-blind-spots-giving-voice-to-what-was-once-hidden/
      PersonsKaren Pearlman
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