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Personal profile

Research interests

Dr Adrian Renzo writes about popular music production, electronic dance music, and remix culture from a critical musicological perspective. His research includes work on the aesthetics of medley records, the construction of Spanish 'megamixes', audio mastering, and the working methods of amateur mash-up producers. His current research explores the intersection between Top 40 pop songs and rave tracks during the early 1990s. Dr Renzo teaches in the areas of popular music studies, DJing and performance.

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Research Outputs

Medley, mix, megamix: towards a taxonomy of intertextual music

Renzo, A., 2020, (In preparation) In : Current Musicology.

Research output: Contribution to journalArticle

  • Rave music as surrogate pop

    Renzo, A., 23 Apr 2019, (Submitted) In : Musicology Australia.

    Research output: Contribution to journalArticle

  • Spanish megamixes, creativity, and data sonification

    Renzo, A., 2019, (In preparation) The Routledge handbook of digital humanities and remix studies. Routledge, Taylor and Francis Group

    Research output: Chapter in Book/Report/Conference proceedingChapter