Research Output per year
Personal profile
Research interests
Dr Adrian Renzo writes about popular music production, electronic dance music, and remix culture from a critical musicological perspective. His research includes work on the aesthetics of medley records, the construction of Spanish 'megamixes', audio mastering, and the working methods of amateur mash-up producers. His current research explores the intersection between Top 40 pop songs and rave tracks during the early 1990s. Dr Renzo teaches in the areas of popular music studies, DJing and performance.
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Research Outputs
Medley, mix, megamix: towards a taxonomy of intertextual music
Renzo, A., 2020, (In preparation) In : Current Musicology.Research output: Contribution to journal › Article
Mastering 2.0: the real or perceived threat of DIY mastering and automated mastering systems
Collins, S., Renzo, A., Keith, S. & Mesker, A., 2019, In : Popular Music and Society. 16 p.Research output: Contribution to journal › Article
Rave music as surrogate pop
Renzo, A., 23 Apr 2019, (Submitted) In : Musicology Australia.Research output: Contribution to journal › Article
Spanish megamixes, creativity, and data sonification
Renzo, A., 2019, (In preparation) The Routledge handbook of digital humanities and remix studies. Routledge, Taylor and Francis GroupResearch output: Chapter in Book/Report/Conference proceeding › Chapter
Musicology meets Samantha Fox: exploring an everyday aesthetics of popular music
Renzo, A., Dec 2018, In : International Review of the Aesthetics and Sociology of Music. 49, 2, p. 333-349 17 p.Research output: Contribution to journal › Article