Research Output per year
Personal profile
Research interests
Dr Adrian Renzo writes about popular music production, electronic dance music, and remix culture from a critical musicological perspective. His research includes work on the aesthetics of medley records, the construction of Spanish 'megamixes', audio mastering, and the working methods of amateur mash-up producers. His current research explores the intersection between Top 40 pop songs and rave tracks during the early 1990s. Dr Renzo teaches in the areas of popular music studies, DJing and performance.
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Research Outputs 2001 2018
Musicology meets Samantha Fox: exploring an everyday aesthetics of popular music
Renzo, A., Dec 2018, In : International Review of the Aesthetics and Sociology of Music. 49, 2, p. 333-349 17 p.Research output: Contribution to journal › Article › Research › peer-review
Popular music
Music
Musicology
Everyday Aesthetics
Listeners
Technologically Mediated Transparency in Music Production
Renzo, A. & Collins, S., 2017, In : Popular Music and Society. 40, 4, p. 406-421 16 p.Research output: Contribution to journal › Article › Research › peer-review
transparency
music
production process
listener
song
Multiple-choice questions in the Humanities: A case study of Peerwise in a first-year Popular Music course
Renzo, A., 2014, Proceedings of ASCILITE 2014 - Annual Conference of the Australian Society for Computers in Tertiary Education. Hegarty, B., McDonald, J. & Loke, S-K. (eds.). Dunedin, New Zealand: ASCILITE, p. 560-564 5 p.Research output: Chapter in Book/Report/Conference proceeding › Conference proceeding contribution › Research › peer-review
music
Students
student
Feedback
'Sounds like an official mix': the mainstream aesthetics of mash-up production
Renzo, A., 2013, Redefining mainstream popular music. Baker, S., Bennett, A. & Taylor, J. (eds.). New York ; London: Routledge, Taylor and Francis Group, p. 139-149 11 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › Research › peer-review
Going back to which routes? Rave music as surrogate pop
Renzo, A., 2012, Routes, roots and routiness: selected papers from the 2011 Australia/New Zealand IASPM Conference. Giuffre, L. & Spirou, P. (eds.). Sydney: IASPM AusNZ/Perfect Beat Publications, p. 6-16 11 p.Research output: Chapter in Book/Report/Conference proceeding › Conference proceeding contribution › Research › peer-review