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Research Outputs 2001 2020

2020

Medley, mix, megamix: towards a taxonomy of intertextual music

Renzo, A., 2020, (In preparation) In : Current Musicology.

Research output: Contribution to journalArticleResearchpeer-review

2019

Rave music as surrogate pop

Renzo, A., 23 Apr 2019, (Submitted) In : Musicology Australia.

Research output: Contribution to journalArticleResearchpeer-review

Music
Charts
Pop Music
Song
Chorus

Spanish megamixes, creativity, and data sonification

Renzo, A., 2019, (In preparation) The Routledge handbook of digital humanities and remix studies. Routledge, Taylor and Francis Group

Research output: Chapter in Book/Report/Conference proceedingChapterResearchpeer-review

2018

Musicology meets Samantha Fox: exploring an everyday aesthetics of popular music

Renzo, A., Dec 2018, In : International Review of the Aesthetics and Sociology of Music. 49, 2, p. 333-349 17 p.

Research output: Contribution to journalArticleResearchpeer-review

Popular music
Music
Musicology
Everyday Aesthetics
Listeners
2017

Technologically Mediated Transparency in Music Production

Renzo, A. & Collins, S., 2017, In : Popular Music and Society. 40, 4, p. 406-421 16 p.

Research output: Contribution to journalArticleResearchpeer-review

transparency
music
production process
listener
song
2014

Multiple-choice questions in the Humanities: A case study of Peerwise in a first-year Popular Music course

Renzo, A., 2014, Proceedings of ASCILITE 2014 - Annual Conference of the Australian Society for Computers in Tertiary Education. Hegarty, B., McDonald, J. & Loke, S-K. (eds.). Dunedin, New Zealand: ASCILITE, p. 560-564 5 p.

Research output: Chapter in Book/Report/Conference proceedingConference proceeding contributionResearchpeer-review

music
Students
student
Feedback
2013

'Sounds like an official mix': the mainstream aesthetics of mash-up production

Renzo, A., 2013, Redefining mainstream popular music. Baker, S., Bennett, A. & Taylor, J. (eds.). New York ; London: Routledge, Taylor and Francis Group, p. 139-149 11 p.

Research output: Chapter in Book/Report/Conference proceedingChapterResearchpeer-review

2012

Going back to which routes? Rave music as surrogate pop

Renzo, A., 2012, Routes, roots and routiness: selected papers from the 2011 Australia/New Zealand IASPM Conference. Giuffre, L. & Spirou, P. (eds.). Sydney: IASPM AusNZ/Perfect Beat Publications, p. 6-16 11 p.

Research output: Chapter in Book/Report/Conference proceedingConference proceeding contributionResearchpeer-review

Seamless: Exploring the segue in 1980s medley records

Renzo, A., 1 Dec 2012, In : Musicology Australia. 34, 2, p. 259-276 18 p.

Research output: Contribution to journalArticleResearchpeer-review

Song
Segue
1980s
Classical Studies
Popular music
2010

Seamless: re-evaluating medley records of the 1980s

Renzo, A., 2010, What's it Worth?: 'Value' and popular music : selected papers from the 2009 IASPM Australia New Zealand Conference. Brunt, S. D. & Zemke, K. (eds.). Auckland: International Association for the Study of Popular Music, p. 48-54 7 p.

Research output: Chapter in Book/Report/Conference proceedingConference proceeding contributionResearchpeer-review

1980s
Song
Unity
Music
Nostalgia
2009

"Sounds like an official mix": the mainstream aesthetics of amateur remix production

Renzo, A., 2009, Stuck in the middle: the mainstream and its discontents : selected proceedings from the 2008 IASPM-ANZ Conference, Griffith University, Brisbane. Strong, C. & Phillipov, M. (eds.). Auckland: International Association for the Study of Popular Music (IASPM-ANZ), p. 117-125 9 p.

Research output: Chapter in Book/Report/Conference proceedingConference proceeding contributionResearchpeer-review

Sound
Aesthetics
Remix
Amateur
Compliments
2003

Electronic dance music

Whiteoak, J. & Renzo, A., 2003, Currency companion to music & dance in Australia. Whiteoak, J. & Scott-Maxwell, A. (eds.). 2nd ed. Sydney: Currency House in association with Currency Press, p. 244-245 2 p.

Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary/reference bookResearch

Inside clubbing: sensual experiments in the art of being human

Renzo, A., 2003, In : Context : journal of music research. 26, p. 72-75 4 p.

Research output: Contribution to journalBook/Film/Article/Exhibition reviewResearch

Experiment
Human Being
England

'Nice tune, but what does it mean?': popular music studies, ethnography, and textual analysis

Renzo, A., 2003, In : Context : journal of music research. 26, p. 5-16 12 p.

Research output: Contribution to journalArticleResearchpeer-review

Textual Analysis
Popular music
Ethnography
Authenticity
Cultural Studies
2002

Gay dance music sucks?

Renzo, A., 2002, Musical in-between-ness: the proceedings of the 8th IASPM Australian-New Zealand conference. Crowdy, D., Homan, S. & Mitchell, T. (eds.). Sydney: International Association for the Study of Popular Music (IASPM-ANZ), p. 106-118 13 p.

Research output: Chapter in Book/Report/Conference proceedingConference proceeding contributionResearchpeer-review

2001

Madonna

Renzo, A., 2001, Who's who in contemporary gay and lesbian history: from World War II to the present day. Aldrich, R. & Wotherspoon, G. (eds.). London: Routledge, Taylor and Francis Group, p. 257-258 2 p.

Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary/reference bookResearch

Pet shop boys

Renzo, A., 2001, Who's who in contemporary gay and lesbian history: from World War II to the present day. Aldrich, R. & Wotherspoon, G. (eds.). London: Routledge, Taylor and Francis Group, p. 326-327 2 p.

Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary/reference bookResearch