19982016

Research output per year

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Research Outputs

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2014

Offline and online: liveness in the Australian music industries

Keith, S., Hughes, D., Crowdy, D., Morrow, G. & Evans, M., 2014, The State of the music industry. Sarafian, V. & Findlay, R. (eds.). Toulouse, France: Presses de l'Université des sciences sociales de Toulouse, p. 221-241 21 p. (Civilisations; no. 13).

Research output: Chapter in Book/Report/Conference proceedingChapter

2013

Chasing an aesthetic tail: Latent technological imperialism in mainstream production

Crowdy, D., 1 Jan 2013, Redefining Mainstream Popular Music. Baker, S. & Bennett, A. (eds.). New York: Taylor & Francis, p. 150-161 12 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

4 Citations (Scopus)
2010

Live music and living as a musician in Moresby

Crowdy, D., 2010, Villagers and the city: Melanesian experiences of Port Moresby, Papua New Guinea. Goddard, M. (ed.). Wantage, UK: Sean Kingston, p. 137-157 21 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2006

Tribute without attribution: Kopikat, covers and copyright in Papua New Guinea

Crowdy, D., 2006, Access all eras: tribute bands and global pop culture. Maidenhead, England: Open University Press, p. 229-240 12 p.

Research output: Chapter in Book/Report/Conference proceedingChapter

2005

Wrangling the figures: marketing an industry at the margins

Evans, M. & Crowdy, D., 2005, Markets and margins. Evans, M. & Walden, G. (eds.). Gympie, Qld.: Australian Institute of Country Music (AICM) Press, p. 1-22 22 p. (Australian country music).

Research output: Chapter in Book/Report/Conference proceedingChapter

2001

The Guitar Cultures of Papua New Guinea: Regional, Social and Stylistic Diversity

Crowdy, D., 2001, Guitar Cultures. Andy Bennet & Kevin Dawe (eds.). Oxford, UK: Berg, p. 135-155 21 p.

Research output: Chapter in Book/Report/Conference proceedingChapter