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Personal profile

Research interests

What does it mean to make culture in the age of the algorithm? I work across media, music, and technology to understand how creative industries are being remade: who benefits, who gets displaced, and how creators adapt.

I'm interested in:

  • how artificial intelligence is reshaping creative labour, ownership, and rights in music and media
  • how popular culture travels, and what its global circulation reveals about platform power, cultural policy, and fan communities
  • how economic and technological disruption restructures the music industries at local and global scales
  • how generative AI is transforming media industries across sectors, from production to distribution to governance

I have a particular interest in the Korean Wave as a lens onto broader questions of media globalisation, platform imperialism, and the politics of popular culture.

My book projects include The New Music Industries: Disruption and Discovery (2016) and the co-edited Handbook of AI‑Based Media Disruption: Emerging Technologies and Multidisciplinary Perspectives Across Sectors (Springer, 2020).

I'm interested in supervising HDR candidates working on creative industries disruption, AI and media, popular music, K-pop and Korean media, and media globalisation, though my current and past supervision spans a wide range of topics in media and music studies.

Teaching

I have been teaching at Macquarie University since 2007 across media and music disciplines, at undergraduate and postgraduate levels, and across theoretical, practical/production, and creative/performance contexts. Since 2018, I have taught a unit on Korean popular culture as part of Kyung Hee University’s Global Collaborative Summer School program in Seoul, South Korea. I am a Senior Fellow of the Higher Education Academy (SFHEA).

Education/Academic qualification

Fellow, Higher Education Academy

External positions

Lecturer (Global Summer School), Kyung Hee University

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