If you made any changes in Pure these will be visible here soon.

Personal profile



Yuji is a performance researcher. He initially trained with the experimental theatre company Banyu-Inryoku in Japan. In Australia, Yuji produced numerous media-based performance works throughout the 1990s, and has performed in international and domestic conferences and festivals including Experimenta, TISEA, Sound Watch (NZ), The Adelaide Festival Artists Week, 25 Years of Performance Art in Australia, Canberra National Sculpture Forum, the Sydney Asian Theatre Festival, Sydney Fringe Festival, San Francisco Sound Culture, The Cleveland Performance Art Festival, The Toronto Festival of Performance Art, Rootless UK, Sydney Carnivale, and IFTR Conference Sydney. His hybrid performances have examined issues of cultural representation. Yuji's performance experiments, which explore the interaction between live performance and technological systems, work in tandem with his academic research. His research has focused on the cross-disciplinary conditions of mediated performance and the terms that may be appropriate for analysing such work, especially from cross-cultural perspectives. He is the author of Japanese robot culture: Performance, imagination, and modernity (Palgrave, 2017).

Yuji was a board member of Artspace, Sydney (1995-1998); participated in New Media Arts/Arts in a Multicultural Australia Policy Roundtable (2002) and Inter-Arts Office grant assessment, Australia Council; 2003, and held a New Media mentorship organised by New Media Arts Board, Australia Council (2006). He was a Vice-Chancellor's Postdoctoral Research Fellow at University of New South Wales (2003-2006). He has received grants from MQNSRGS (2008) and from external organisations such as The Japan Foundation (2009, 2017) and The Australia Council for the Arts (2006, 2002, 2001, 2000, 1997, 1996, 1994, 1992).

Research Interests

Nonhuman performance, the performing body and technology, Japanese technoculture, and cross-cultural performance.  

Fingerprint Dive into the research topics where Yuji Sone is active. These topic labels come from the works of this person. Together they form a unique fingerprint.

robot Social Sciences
performance Social Sciences
book review Social Sciences
realism Social Sciences
multimedia Social Sciences
modernity Social Sciences
video Social Sciences
art Social Sciences

Research Outputs 1996 2019

Japanese robot culture: performance, imagination, and modernity

Sone, Y., 2017, New York: Palgrave Macmillan. 265 p.

Research output: Book/ReportBookResearchpeer-review


Android corporeality, transhuman performance and the Japanese 'mind'

Sone, Y., 11 Mar 2019, In : Performance Research. 23, 8, 2018, p. 67-73 7 p.

Research output: Contribution to journalArticleResearchpeer-review

Artificial Life

Clarke and Dawe's mock interviews and the politics of duration

Sone, Y., 2019, The Routledge companion to theatre and politics. Eckersall, P. & Grehan, H. (eds.). London ; New York: Routledge, Taylor and Francis Group, p. 215-218 4 p. (Routledge Theatre and Performance Companions).

Research output: Chapter in Book/Report/Conference proceedingChapterResearchpeer-review

Political Dimensions
Passage of Time
Performance Study

Fujiko Nakaya's fog performance and embodied 'nature'

Sone, Y., 4 May 2019, In : Studies in Theatre and Performance. 39, 2, p. 165-176 12 p.

Research output: Contribution to journalArticleResearchpeer-review

Embodied Experience

Hiroshi Ishiguro's android science: fabulation and 'upstream engagement'

Sone, Y., Sep 2019, (Accepted/In press) In : Journal of Science & Popular Culture.

Research output: Contribution to journalArticleResearchpeer-review