After the Facts

    Research output: Non-traditional research outputDigital or Visual products

    Abstract

    Editors are powerful. They are also usually invisible. Most editors in early film were women. This short documentary looks at Esfir Shub (1894-1959), credited with inventing the remix film, and shows the groundbreaking work of women editors who profoundly influenced some of the masterpieces of cinemas.

    Written and directed by Karen Pearlman.
    Original languageEnglish
    PublisherThe Physical TV Company
    Media of outputFilm
    Size5 minutes
    Publication statusPublished - 10 Jun 2018

    Keywords

    • Esfir Sub,
    • Dziga Vertov
    • Elizaveta Svilova
    • Editing
    • Kuleshov Effect
    • Editors Effect
    • Women Artists
    • Film Editors
    • remix and documentary film
    • Archive
    • women and media

    Fingerprint

    Dive into the research topics of 'After the Facts'. Together they form a unique fingerprint.
    • Changing film culture: 'After the Facts' and the educator's effect

      Pearlman, K., 27 Aug 2021, NiTRO: Non Traditional Research Outcomes.

      Research output: Contribution to Newspaper/Magazine/WebsiteWebsite contribution

      Open Access
    • After the Facts: These edits are my thoughts

      Pearlman, K. & Gaines, J. M., 16 Mar 2020, Women Film Pioneers Project.

      Research output: Contribution to Newspaper/Magazine/WebsiteWebsite contribution

      Open Access
    • On rhythm in film editing

      Pearlman, K., 2019, The Palgrave handbook of the philosophy of film and motion pictures. Carroll, N., Di Summa-Knoop, L. T. & Loht, S. (eds.). Cham, Switzerland: Palgrave Macmillan, p. 143-163 21 p.

      Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

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