Activities per year
Abstract
Editors are powerful. They are also usually invisible. Most editors in early film were women. This short documentary looks at Esfir Shub (1894-1959), credited with inventing the remix film, and shows the groundbreaking work of women editors who profoundly influenced some of the masterpieces of cinemas.
Written and directed by Karen Pearlman.
Written and directed by Karen Pearlman.
Original language | English |
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Publisher | The Physical TV Company |
Media of output | Film |
Size | 5 minutes |
Publication status | Published - 10 Jun 2018 |
Keywords
- Esfir Sub,
- Dziga Vertov
- Elizaveta Svilova
- Editing
- Kuleshov Effect
- Editors Effect
- Women Artists
- Film Editors
- remix and documentary film
- Archive
- women and media
Fingerprint
Dive into the research topics of 'After the Facts'. Together they form a unique fingerprint.Prizes
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Australian Screen editors Guild Best Editing in Open Content
Pearlman, Karen (Recipient), Dec 2018
Prize
Press/Media
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Cinematic Blind Spots: giving voice to what was once hidden
9/11/22
1 item of Media coverage
Press/Media: Other
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To Russian women with love: trilogy celebrates forgotten filmmakers
1/12/20
1 item of Media coverage
Press/Media: Public Engagement Activities
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A review of Karen Pearlman’s Woman with an Editing Bench, After the Facts, and I want to make a film about women
9/08/20
1 item of Media coverage
Press/Media: Research
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Women in film and Editors Trilogy
Karen Pearlman (Speaker)
11 Nov 2022Activity: Talk or presentation › Invited talk
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Master Class: Editing with Karen Pearlman
Karen Pearlman (Speaker)
7 Nov 2020Activity: Talk or presentation › Invited talk
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Columbia University
Karen Pearlman (Visiting lecturer)
Aug 2019 → …Activity: Visiting an external institution › Visiting an external academic institution