Abstract
Andrew Marvell's 'The Coronet' is a meditation on conversion. It is also a poem where artistic self-consciousness and self-display at once convey and conflict with celebration or exploration of the sacred. A will to authorial power is inseparable from a will to reverence. In its knowing self-division and contrarieties the poem offers a revealing window onto Marvell's poems of religious dialogue.
Original language | English |
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Pages (from-to) | 161-174 |
Number of pages | 14 |
Journal | Parergon |
Volume | 31 |
Issue number | 1 |
DOIs | |
Publication status | Published - 2014 |