| Original language | English |
|---|---|
| Title of host publication | Whose popular music? |
| Subtitle of host publication | industry, performers, fans : selected proceedings from the 2006 IASPM Australia/New Zealand Conference, Sydney |
| Editors | Ian Collinson |
| Place of Publication | North Ryde, N.S.W. |
| Publisher | International Association of the Study of Popular Music, Australia New Zealand Branch and Perfect Beat Publications |
| Pages | 7-15 |
| Number of pages | 9 |
| ISBN (Print) | 9780975774748 |
| Publication status | Published - 2008 |
| Event | International Association for the Study of Popular Music Australia-New Zealand Conference - Sydney Duration: 25 Jun 2006 → 27 Jun 2006 |
Conference
| Conference | International Association for the Study of Popular Music Australia-New Zealand Conference |
|---|---|
| City | Sydney |
| Period | 25/06/06 → 27/06/06 |
Keywords
- James Brown
- Deleuze
- temporality
- popular music
- funk
- dance music
- electronic music
- duree
- cinema
- Paul Gilroy
Cite this
Scannell, J. (2008). 'Apprehending a minor temporality': James Brown's musical response to the intolerable. In I. Collinson (Ed.), Whose popular music?: industry, performers, fans : selected proceedings from the 2006 IASPM Australia/New Zealand Conference, Sydney (pp. 7-15). North Ryde, N.S.W.: International Association of the Study of Popular Music, Australia New Zealand Branch and Perfect Beat Publications.