Armida

Rodrigo Azaola; Safdar Ahmed; Can Yalcinkaya; Michal Imielski; Daz Chandler; Barnando Hernandez

Armida

Rodrigo Azaola (Developer), Safdar Ahmed (Performer), Can Yalcinkaya (Performer), Michal Imielski (Producer), Daz Chandler (Photographer), Barnando Hernandez (Producer)

Macquarie University College

Research output: Non-traditional research output › Exhibition

Abstract

Developed and produced by Rodrigo Azaola, Armida is a multimedia artwork, which reinterprets the 17th Century orientalist Opera, Armida by Jean Baptiste Lully and juxtaposes it with images of the Cronulla race riots that took place in Sydney in 2005 as a critique of rampant Islamophobia in Australia.

As part of the video installation, Hazeen, a Muslim black-death metal band from Sydney (comprised of Safdar Ahmed and Can Yalcinkaya) composed and recorded a death metal interpretation of the the aria "Come, come unrelenting hate" by Jean Baptiste Lully (1686), and footage from a Hazeen performance has been incorporated into the video.

Original language	English
Place of Publication	Abbotsford, VIC
Publisher	c3 Art Space Gallery
Media of output	Film
Size	4 minutes 44 seconds
Publication status	Published - 2019

Keywords

Armida
Opera
Cronulla Riots
Islamophobia
Multimedia art
death metal
Hazeen

Cite this

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abstract = "Developed and produced by Rodrigo Azaola, Armida is a multimedia artwork, which reinterprets the 17th Century orientalist Opera, Armida by Jean Baptiste Lully and juxtaposes it with images of the Cronulla race riots that took place in Sydney in 2005 as a critique of rampant Islamophobia in Australia.As part of the video installation, Hazeen, a Muslim black-death metal band from Sydney (comprised of Safdar Ahmed and Can Yalcinkaya) composed and recorded a death metal interpretation of the the aria {"}Come, come unrelenting hate{"} by Jean Baptiste Lully (1686), and footage from a Hazeen performance has been incorporated into the video.",

keywords = "Armida, Opera, Cronulla Riots, Islamophobia, Multimedia art, death metal, Hazeen",

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T1 - Armida

A2 - Azaola, Rodrigo

A2 - Ahmed, Safdar

A2 - Yalcinkaya, Can

A2 - Imielski, Michal

A2 - Chandler, Daz

A2 - Hernandez, Barnando

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Y1 - 2019

N2 - Developed and produced by Rodrigo Azaola, Armida is a multimedia artwork, which reinterprets the 17th Century orientalist Opera, Armida by Jean Baptiste Lully and juxtaposes it with images of the Cronulla race riots that took place in Sydney in 2005 as a critique of rampant Islamophobia in Australia.As part of the video installation, Hazeen, a Muslim black-death metal band from Sydney (comprised of Safdar Ahmed and Can Yalcinkaya) composed and recorded a death metal interpretation of the the aria "Come, come unrelenting hate" by Jean Baptiste Lully (1686), and footage from a Hazeen performance has been incorporated into the video.

AB - Developed and produced by Rodrigo Azaola, Armida is a multimedia artwork, which reinterprets the 17th Century orientalist Opera, Armida by Jean Baptiste Lully and juxtaposes it with images of the Cronulla race riots that took place in Sydney in 2005 as a critique of rampant Islamophobia in Australia.As part of the video installation, Hazeen, a Muslim black-death metal band from Sydney (comprised of Safdar Ahmed and Can Yalcinkaya) composed and recorded a death metal interpretation of the the aria "Come, come unrelenting hate" by Jean Baptiste Lully (1686), and footage from a Hazeen performance has been incorporated into the video.

KW - Armida

KW - Opera

KW - Cronulla Riots

KW - Islamophobia

KW - Multimedia art

KW - death metal

KW - Hazeen

UR - https://nothingenduresbutchange.net/Armida

UR - http://www.c3artspace.com.au/rodrigo-azaola/

M3 - Exhibition

PB - c3 Art Space Gallery

CY - Abbotsford, VIC

ER -

Armida

Abstract

Keywords

Other files and links

Fingerprint

Hazeen: Zombies, Muslims and Death Metal

Creeping Sharia: an extreme response to Islamophobia

Warm Bodies: Halloween party performance

Cite this

Armida

Abstract

Keywords

Other files and links

Fingerprint

Activities

Hazeen: Zombies, Muslims and Death Metal

Research output

Creeping Sharia: an extreme response to Islamophobia

Warm Bodies: Halloween party performance

Cite this