Abstract
In this contribution, we provide a brief overview of the development of Hip Hop culture in Australia, looking specifically at rap and breaking (breakdancing). We show how Australian rap has for a long time been dominated by white Australian artists attempting to solidify an Aussie Hip Hop identity distinct from the United States. Because rap from Indigenous and Culturally and Linguistically Diverse (CaLD) communities did not fit the tropes of dominant (white) Australian culture, and were instead disregarded as simple mimicry of African American rap, the gatekeepers of Aussie Hip Hop for a long time locked out these minority artists. This created a divide in the rap scene that reflected broader Australian racial politics. In contrast, the breaking community has historically been more inclusive and reflective of a multicultural Australia, and has been more connected with the breakers of North America, Europe and Asia. In this contribution, we demonstrate how Australian Hip Hop has evolved over the past two decades to be more culturally inclusive, supported by key Australian artists, community radio, social media and finally validated by the Australian music industry as a distinct musical genre worth celebrating.
Original language | English |
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Pages (from-to) | 23-32 |
Number of pages | 10 |
Journal | Global Hip Hop Studies |
Volume | 3 |
Issue number | 1-2 |
DOIs | |
Publication status | Published - 20 Dec 2023 |
Bibliographical note
Copyright the Author(s) 2023. Version archived for private and non-commercial use with the permission of the author/s and according to publisher conditions. For further rights please contact the publisher.Keywords
- breaking
- Hip Hop
- identity
- Indigenous
- migrant
- multicultural
- racism
- rap