Behind the smoke and mirrors: vocal processing, treatments, and effects

This paper explores the processing of the singing voice in the context of live and recorded vocal performance in popular culture musics (PCM). In an age where technology not only assists audible performance, but also has the capacity to facilitate, manipulate, correct or even create performance, this discussion is timely. As a sound cycle illustrates the conversion of the acoustic instrument into live and recorded formats, this discussion aids in clarification of technological applications and processing of the contemporary singing voice. It also examines corrective treatments and a range of effects. Common technical and production terminology is outlined to provide further clarity. The paper concludes with implications for listening cultures, pedagogical strategies and vocal performances in PCM. The paper is therefore relevant to teachers, students and performers.