Bijan

Vahideh Aboukazemi

doi:10.5130/csr.v23i2.5100

Bijan

Vahideh Aboukazemi^*

^*Corresponding author for this work

Faculty of Arts

Research output: Contribution to journal › Article › peer-review

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Abstract

‘Bijan’is a representation of personal experiences from the days of the Iranian Revolution and my involvement in student political activism; an interpretation of ‘a moment of crisis’ and ‘abjection’. Abjection, as developed by Julia Kristeva, ‘is what disturbs identity, system, order’. Recalling past events and people from a time of living through utter abjection, causes narrative to disrupt and shatter around the theme of suffering, making my narrative representations fragmented, ambiguous and discontinuous.

Original language	English
Pages (from-to)	51-61
Number of pages	11
Journal	Cultural Studies Review
Volume	23
Issue number	2
DOIs	https://doi.org/10.5130/csr.v23i2.5100
Publication status	Published - 27 Nov 2017

Bibliographical note

Copyright the Author(s) 2017. Version archived for private and non-commercial use with the permission of the author/s and according to publisher conditions. For further rights please contact the publisher.

Keywords

Abjection
Remembering
Subject-in-process

Access to Document

10.5130/csr.v23i2.5100

Publisher version (open access)Final published version, 190 KBLicence: CC BY

Cite this

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N2 - ‘Bijan’is a representation of personal experiences from the days of the Iranian Revolution and my involvement in student political activism; an interpretation of ‘a moment of crisis’ and ‘abjection’. Abjection, as developed by Julia Kristeva, ‘is what disturbs identity, system, order’. Recalling past events and people from a time of living through utter abjection, causes narrative to disrupt and shatter around the theme of suffering, making my narrative representations fragmented, ambiguous and discontinuous.

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KW - Subject-in-process

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Bijan

Abstract

Bibliographical note

Keywords

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