Britpop versus grunge: an introduction to analyses of space and timbre in recordings of rock music, and the evolving role of the studio producer

Becky Shepherd

Britpop versus grunge: an introduction to analyses of space and timbre in recordings of rock music, and the evolving role of the studio producer

Becky Shepherd

Department of Media, Music, Communication and Cultural Studies

Research output: Chapter in Book/Report/Conference proceeding › Conference proceeding contribution › peer-review

Original language	English
Title of host publication	Whose popular music?
Subtitle of host publication	industry, performers, fans : selected proceedings from the 2006 IASPM Australia/New Zealand Conference, Sydney
Editors	Ian Collinson
Place of Publication	North Ryde, N.S.W.
Publisher	International Association of the Study of Popular Music, Australia New Zealand Branch and Perfect Beat Publications
Pages	44-52
Number of pages	9
ISBN (Print)	9780975774748
Publication status	Published - 2008
Event	International Association for the Study of Popular Music Australia-New Zealand Conference - Sydney Duration: 25 Jun 2006 → 27 Jun 2006

Conference

Conference	International Association for the Study of Popular Music Australia-New Zealand Conference
City	Sydney
Period	25/06/06 → 27/06/06

Cite this

Shepherd, B. (2008). Britpop versus grunge: an introduction to analyses of space and timbre in recordings of rock music, and the evolving role of the studio producer. In I. Collinson (Ed.), Whose popular music?: industry, performers, fans : selected proceedings from the 2006 IASPM Australia/New Zealand Conference, Sydney (pp. 44-52). International Association of the Study of Popular Music, Australia New Zealand Branch and Perfect Beat Publications.

Shepherd, Becky. / Britpop versus grunge : an introduction to analyses of space and timbre in recordings of rock music, and the evolving role of the studio producer. Whose popular music?: industry, performers, fans : selected proceedings from the 2006 IASPM Australia/New Zealand Conference, Sydney. editor / Ian Collinson. North Ryde, N.S.W. : International Association of the Study of Popular Music, Australia New Zealand Branch and Perfect Beat Publications, 2008. pp. 44-52

@inproceedings{f4091a4ac8fa4dc3b45f302ceb9af7b7,

title = "Britpop versus grunge: an introduction to analyses of space and timbre in recordings of rock music, and the evolving role of the studio producer",

author = "Becky Shepherd",

year = "2008",

language = "English",

isbn = "9780975774748",

pages = "44--52",

editor = "Ian Collinson",

booktitle = "Whose popular music?",

publisher = "International Association of the Study of Popular Music, Australia New Zealand Branch and Perfect Beat Publications",

note = "International Association for the Study of Popular Music Australia-New Zealand Conference ; Conference date: 25-06-2006 Through 27-06-2006",

}

Shepherd, B 2008, Britpop versus grunge: an introduction to analyses of space and timbre in recordings of rock music, and the evolving role of the studio producer. in I Collinson (ed.), Whose popular music?: industry, performers, fans : selected proceedings from the 2006 IASPM Australia/New Zealand Conference, Sydney. International Association of the Study of Popular Music, Australia New Zealand Branch and Perfect Beat Publications, North Ryde, N.S.W., pp. 44-52, International Association for the Study of Popular Music Australia-New Zealand Conference, Sydney, 25/06/06.

Britpop versus grunge: an introduction to analyses of space and timbre in recordings of rock music, and the evolving role of the studio producer. / Shepherd, Becky.
Whose popular music?: industry, performers, fans : selected proceedings from the 2006 IASPM Australia/New Zealand Conference, Sydney. ed. / Ian Collinson. North Ryde, N.S.W.: International Association of the Study of Popular Music, Australia New Zealand Branch and Perfect Beat Publications, 2008. p. 44-52.

Research output: Chapter in Book/Report/Conference proceeding › Conference proceeding contribution › peer-review

TY - GEN

T1 - Britpop versus grunge

T2 - International Association for the Study of Popular Music Australia-New Zealand Conference

AU - Shepherd, Becky

PY - 2008

Y1 - 2008

M3 - Conference proceeding contribution

SN - 9780975774748

SP - 44

EP - 52

BT - Whose popular music?

A2 - Collinson, Ian

PB - International Association of the Study of Popular Music, Australia New Zealand Branch and Perfect Beat Publications

CY - North Ryde, N.S.W.

Y2 - 25 June 2006 through 27 June 2006

ER -

Shepherd B. Britpop versus grunge: an introduction to analyses of space and timbre in recordings of rock music, and the evolving role of the studio producer. In Collinson I, editor, Whose popular music?: industry, performers, fans : selected proceedings from the 2006 IASPM Australia/New Zealand Conference, Sydney. North Ryde, N.S.W.: International Association of the Study of Popular Music, Australia New Zealand Branch and Perfect Beat Publications. 2008. p. 44-52