Cracea

gestural performance

Research output: Contribution to journalConference paper

Abstract

This paper outlines the concepts and aims behind the musical performance piece, Cracea, composed for bass, drums and gestural instrument, the Telechord. The work forms part of practice-based research into the design and application of gestural systems for musical performance. It also provides a platform to assess the influence of gestural control on my own performance practice as a vocalist and live electronic musician and for developing an understanding of the broader themes concerned with gestural interaction in music. In gestural performance, the absence of a tangible object requires the performer to develop their unique physical language and refine their movement skills to achieve fine-grained musical control. Drawing on research by movement theorists in dance and embodied interaction design, I explore how gestural systems can contribute to enhanced bodily and kinaesthetic awareness for musicians, facilitating self-discovery and the exploration of new movement patterns.
Original languageEnglish
Pages (from-to)81-84
Number of pages4
JournalACMC2015 - Make! : proceedings of the annual conference of the Australasian Computer Music Association
Publication statusPublished - 2015
Externally publishedYes
EventAustralasian Computer Music Conference - Sydney, Australia
Duration: 18 Nov 201521 Nov 2015

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