Depth Perception and the History of Three-Dimensional Art: who produced the first stereoscopic images?

Research output: Contribution to journalArticleResearchpeer-review

Abstract

The history of the expression of three-dimensional structure in art can be traced from the use of occlusion in Palaeolithic cave paintings, through the use of shadow in classical art, to the development of perspective during the Renaissance. However, the history of the use of stereoscopic techniques is controversial. Although the first undisputed stereoscopic images were presented by Wheatstone in 1838, it has been claimed that two sketches by Jacopo Chimenti da Empoli (c. 1600) can be to be fused to yield an impression of stereoscopic depth, while others suggest that Leonardo da Vinci's Mona Lisa is the world's first stereogram. Here, we report the first quantitative study of perceived depth in these works, in addition to more recent works by Salvador Dalí. To control for the contribution of monocular depth cues, ratings of the magnitude and coherence of depth were recorded for both stereoscopic and pseudoscopic presentations, with a genuine contribution of stereoscopic cues revealed by a difference between these scores. Although effects were clear for Wheatstone and Dalí's images, no such effects could be found for works produced earlier. As such, we have no evidence to reject the conventional view that the first producer of stereoscopic imagery was Sir Charles Wheatstone.

LanguageEnglish
Pages1-22
Number of pages22
Journali-Perception
Volume8
Issue number1
DOIs
Publication statusPublished - 17 Feb 2017

Fingerprint

Depth perception
Depth Perception
Caves
Painting
Art
Cues
History
Paintings
Imagery (Psychotherapy)
Renaissance

Bibliographical note

Copyright the Author(s) 2017. Version archived for private and non-commercial use with the permission of the author/s and according to publisher conditions. For further rights please contact the publisher.

Keywords

  • art
  • Chimenti
  • Dali
  • Da Vinci
  • depth
  • disparity
  • perception
  • stereopsis

Cite this

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title = "Depth Perception and the History of Three-Dimensional Art: who produced the first stereoscopic images?",
abstract = "The history of the expression of three-dimensional structure in art can be traced from the use of occlusion in Palaeolithic cave paintings, through the use of shadow in classical art, to the development of perspective during the Renaissance. However, the history of the use of stereoscopic techniques is controversial. Although the first undisputed stereoscopic images were presented by Wheatstone in 1838, it has been claimed that two sketches by Jacopo Chimenti da Empoli (c. 1600) can be to be fused to yield an impression of stereoscopic depth, while others suggest that Leonardo da Vinci's Mona Lisa is the world's first stereogram. Here, we report the first quantitative study of perceived depth in these works, in addition to more recent works by Salvador Dal{\'i}. To control for the contribution of monocular depth cues, ratings of the magnitude and coherence of depth were recorded for both stereoscopic and pseudoscopic presentations, with a genuine contribution of stereoscopic cues revealed by a difference between these scores. Although effects were clear for Wheatstone and Dal{\'i}'s images, no such effects could be found for works produced earlier. As such, we have no evidence to reject the conventional view that the first producer of stereoscopic imagery was Sir Charles Wheatstone.",
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Depth Perception and the History of Three-Dimensional Art : who produced the first stereoscopic images? / Brooks, Kevin R.

In: i-Perception, Vol. 8, No. 1, 17.02.2017, p. 1-22.

Research output: Contribution to journalArticleResearchpeer-review

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