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Designing survival: a graphic artist in Birkenau

Konrad Kwiet*

*Corresponding author for this work

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

    Abstract

    This chapter analyzes what appears as the most prominent feature in Zippi's body of testimony. Helping with the registration and marking of prisoners became her key role in the Auschwitz women's camp; her account of her adolescence and training shows that from early on she had a special eye and interest for the visual and the organization of space. A deep description of her story from her arrival in Auschwitz in spring 1942 to the last days as prisoner during the war reveals continuities and caesuras in her perception of reality and her attempts to survive.

    Original languageEnglish
    Title of host publicationApproaching an Auschwitz Survivor
    Subtitle of host publicationHolocaust Testimony and its Transformations
    EditorsJürgen Matthäus
    Place of PublicationOxford; New York
    PublisherOxford University Press
    Pages7-26
    Number of pages20
    ISBN (Electronic)9780199866694
    ISBN (Print)9780195389159, 0195389158
    DOIs
    Publication statusPublished - 1 Sept 2009

    Keywords

    • Adolescence
    • Graphic art
    • Holocaust
    • Perception
    • Training

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