Abstract
This chapter considers some shifts in documentary film practice in nthe light of 'remix culture.' It considers earlier remix practices in documentary film including assemblage, compilation and essay films.
| Original language | English |
|---|---|
| Title of host publication | After the event |
| Subtitle of host publication | new perspectives on art history |
| Editors | Charles Merewether, John Potts |
| Place of Publication | Manchester |
| Publisher | Manchester University Press |
| Pages | 163-173 |
| Number of pages | 13 |
| ISBN (Print) | 9780719081736 |
| Publication status | Published - 2010 |
Keywords
- remix and documentary film
- digital essay films
- compilation films
- Adam Curtis
- Phillip Lopate
- John Hughes