Drumming and dancing in Mahābhārata performances of the Himalayas: possession as transitional states

Andrew Alter*

*Corresponding author for this work

    Research output: Contribution to journalArticlepeer-review

    Abstract

    This article considers the nexus that exists between drumming, dancing, and possession within the Pāndavalīlā, and draws on the work of Judith Becker (2004) to interpret the performance of possession as a theatre of transition. Most notably, while drumming effectively inspires possessed states, these are of different kinds and different orders. Performances like those of the Pāndavalīlā rely not only on altered states of consciousness in some form, but also on the performance of those altered states of being. Consequently, a broader focus on the transitional stages of possession as outlined through drumming admits a wider acknowledgement of the different forms and purposes of possession. Critically, drum patterns offer a metaphor for understanding the numerous levels of transition that operate within a Pāndavalīlā.

    Original languageEnglish
    Pages (from-to)169-185
    Number of pages17
    JournalYearbook for Traditional Music
    Volume52
    DOIs
    Publication statusPublished - Nov 2020

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