Drumming in excess and chaos: music, literacy and sustainability in early years learning

Sarah Powell*, Margaret Somerville

*Corresponding author for this work

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    28 Citations (Scopus)
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    Abstract

    For children born in the 21st century, the enmeshing of natural and human forces in the survival of the planet requires conceptual and practical innovation. This paper comes from a project funded by the Australian Research Council investigating the integration of literacy and sustainability in early years learning. The methodology employed was ‘deep hanging out’, the purpose of which is to observe without bias or assumption. This paper focuses on a video from a preschool depicting children playing drums and percussion instruments outside, in the playground. We consider the nature of literacy differently, conceptualizing literacy+sustainability within the context of the more-than-human, intra-active world. In our example, the drumming ebbs and flows in intensity, children come and go, rhythms merge then diverge; a chaos of sound and
    vibration, a refrain of rhythm, movement and bodies, driven by the excess of the earth’s energy and musical force. We see children communicate a sense of the world – with drums, each other, earth – sustained by the vitality of place, the materiality of drums and sound, the energy of earth and the movement of bodies. In this example, we extend the conversation around what literacy and sustainability might look like, offering possibilities for producing new knowledge about literacy and new understandings of sustainability.
    Original languageEnglish
    Pages (from-to)839-861
    Number of pages23
    JournalJournal of Early Childhood Literacy
    Volume20
    Issue number4
    Early online date14 Aug 2018
    DOIs
    Publication statusPublished - 1 Dec 2020

    Keywords

    • literacy
    • sustainability
    • early childhood
    • sound
    • music
    • intra-action
    • more-than-human

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    • Course of nature

      Somerville, M. & Powell, S., Mar 2020, Future-Makers, March 2020, 4 1 p.

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