Drunk with wisdom: metaphors of ecstasy in Plato's Symposium and Lucian of Samosata

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    Abstract

    Among the metaphors that Plato employed in the context of his apophatic approach to philosophical truth and its experience, inebriation stands out in the Symposium, where famously Socrates is compared to Dionysian figures such as the Silenoi and Marsyas (215a-c), and to frenzied Corybantic dancers (215e; 216d; 218b). The contentious nature of inebriation as a proxy of ecstasy is aptly exemplified in Euripides’ Bacchae, where Pentheus, the distrusting new tyrant of Thebes, is keen to associate the Bacchic trance with common intoxication and lewd behavior; although Plato tries to anticipate such criticisms by repeatedly stating in the Symposium that Socrates is sober and of sound mind (e.g., 214a; 216d; 219d; 220a), later authors are unforgiving of his metaphorical style, which is deemed inconsistent with Plato’s stern disapproval of poetry. Among such later authors, Lucian of Samosata deserves closer attention apropos his treatment of inebriation as a most confusing and inappropriate metaphor for philosophical inspiration. Despite the jocular style of his dialogues, Lucian’s depiction of Platonic inebriation powerfully sketches a deep intellectual crisis that especially afflicts the young people of his time. Thus, Lucian sheds unexpected light on a less prominent chapter of Plato’s reception during the Roman imperial period.

    Original languageEnglish
    Article number898
    Pages (from-to)1-14
    Number of pages14
    JournalReligions
    Volume12
    Issue number10
    DOIs
    Publication statusPublished - Oct 2021

    Bibliographical note

    Copyright the Author(s) 2021. Version archived for private and non-commercial use with the permission of the author/s and according to publisher conditions. For further rights please contact the publisher.

    Keywords

    • Ecstasy
    • Inebriation
    • Lucian of Samosata
    • Metaphor
    • Philosophical conversion
    • Plato

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