Abstract
Artistic labour is characterised by features that combine to set artists apart from other workers when viewed in terms of their labour market behaviour. Here, the value of a work of art can be simplified down to two essential elements - the work's economic value, and its cultural value, measured in terms of criteria of artistic worth such as aesthetic, spiritual, symbolic, and other types of value. In regard to the weights on economic and cultural value in the objective function, the model will allow for a range of financial and artistic motivations as stimuli to creative work. At one extreme, a unitary weight attached to cultural value and a zero weight to economic value would indicate that the artist's aims relate purely to the quality of the artwork itself, with complete disregard for its financial prospects. At the other extreme, a unitary weight on economic value and a zero weight on cultural value would imply that the artist is in the game solely for the money. The majority of artists in reality probably lie somewhere between these two polar cases.
Original language | English |
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Pages (from-to) | 47-56 |
Number of pages | 10 |
Journal | Revue d'Economie Politique |
Volume | 120 |
Issue number | 1 |
Publication status | Published - Jan 2010 |