Editing (for) Elizaveta: talking Svilova, Vertov and ‘responsive creativity’ with Karen Pearlman

Anthony Lambert; Karen Pearlman

doi:10.1080/17503175.2017.1407063

Editing (for) Elizaveta: talking Svilova, Vertov and ‘responsive creativity’ with Karen Pearlman

Anthony Lambert^*, Karen Pearlman

^*Corresponding author for this work

Department of Media, Music, Communication and Cultural Studies

Research output: Contribution to journal › Other journal contribution › peer-review

2 Citations (Scopus)

Original language	English
Pages (from-to)	157-160
Number of pages	4
Journal	Studies in Australasian Cinema
Volume	11
Issue number	3
DOIs	https://doi.org/10.1080/17503175.2017.1407063
Publication status	Published - 22 Nov 2017

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10.1080/17503175.2017.1407063

Cite this

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title = "Editing (for) Elizaveta: talking Svilova, Vertov and {\textquoteleft}responsive creativity{\textquoteright} with Karen Pearlman",

author = "Anthony Lambert and Karen Pearlman",

year = "2017",

month = nov,

day = "22",

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language = "English",

volume = "11",

pages = "157--160",

journal = "Studies in Australasian Cinema",

issn = "1750-3175",

publisher = "Intellect",

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T1 - Editing (for) Elizaveta

T2 - talking Svilova, Vertov and ‘responsive creativity’ with Karen Pearlman

AU - Lambert, Anthony

AU - Pearlman, Karen

PY - 2017/11/22

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DO - 10.1080/17503175.2017.1407063

M3 - Other journal contribution

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SP - 157

EP - 160

JO - Studies in Australasian Cinema

JF - Studies in Australasian Cinema

SN - 1750-3175

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Editing (for) Elizaveta: talking Svilova, Vertov and ‘responsive creativity’ with Karen Pearlman

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Other files and links

Editing and Cognition: historical and contemporary editing practices and collaborations through the framework of distributed cognition theories

Discovering the uncredited woman editor of Soviet montage films

Woman with an Editing Bench: How do film editors think?

Woman with an Editing Bench

Dial S for Screen Studies

Creative practice, cognition and feminist film histories

Cite this

Editing (for) Elizaveta: talking Svilova, Vertov and ‘responsive creativity’ with Karen Pearlman

Access to Document

Other files and links

Projects

Editing and Cognition: historical and contemporary editing practices and collaborations through the framework of distributed cognition theories

Press / Media

Discovering the uncredited woman editor of Soviet montage films

Woman with an Editing Bench: How do film editors think?

Activities

Woman with an Editing Bench

Dial S for Screen Studies

Creative practice, cognition and feminist film histories

Cite this