Editing (for) Elizaveta: talking Svilova, Vertov and ‘responsive creativity’ with Karen Pearlman

Anthony Lambert; Karen Pearlman

doi:10.1080/17503175.2017.1407063

Editing (for) Elizaveta

talking Svilova, Vertov and ‘responsive creativity’ with Karen Pearlman

Anthony Lambert^*, Karen Pearlman

^*Corresponding author for this work

Department of Media, Music, Communication and Cultural Studies

Research output: Contribution to journal › Other journal contribution

Original language	English
Pages (from-to)	157-160
Number of pages	4
Journal	Studies in Australasian Cinema
Volume	11
Issue number	3
DOIs	https://doi.org/10.1080/17503175.2017.1407063
Publication status	Published - 22 Nov 2017

Access to Document

10.1080/17503175.2017.1407063

Link to publication in Scopus

1 Finished

Editing and Cognition: historical and contemporary editing practices and collaborations through the framework of distributed cognition theories
Pearlman, K., Sutton, J. & MacKay, J.
13/10/16 → 14/10/16
Project: Research

Discovering the uncredited woman editor of Soviet montage films
Karen Pearlman
30/01/19
1 Media contribution
Press/Media: Public Engagement Activities
Woman with an Editing Bench: How do film editors think?
Karen Pearlman & Lauren Carroll Harris
28/08/17
1 item of Media coverage
Press/Media: Other

4 Invited talk

Creative practice, cognition and feminist film histories
Karen Pearlman (Speaker)
13 Nov 2018
Activity: Talk or presentation › Invited talk
Woman with an Editing Bench
Karen Pearlman (Speaker)
18 Nov 2018
Activity: Talk or presentation › Invited talk
Dial S for Screen Studies
Karen Pearlman (Keynote speaker)
12 Nov 2018
Activity: Talk or presentation › Invited talk

Cite this

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title = "Editing (for) Elizaveta: talking Svilova, Vertov and ‘responsive creativity’ with Karen Pearlman",

author = "Anthony Lambert and Karen Pearlman",

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journal = "Studies in Australasian Cinema",

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DO - 10.1080/17503175.2017.1407063

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SN - 1750-3175

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ER -

Editing (for) Elizaveta

talking Svilova, Vertov and ‘responsive creativity’ with Karen Pearlman

Access to Document

Editing and Cognition: historical and contemporary editing practices and collaborations through the framework of distributed cognition theories

Discovering the uncredited woman editor of Soviet montage films

Woman with an Editing Bench: How do film editors think?

Creative practice, cognition and feminist film histories

Woman with an Editing Bench

Dial S for Screen Studies

Cite this