TY - CHAP
T1 - "Eine Wechseldusche zwischen direkter Begegung und vermittelter"
T2 - Ein E-Mail-Interview mit Rimini Protokoll über Situation Rooms
AU - Birgfeld, Johannes
AU - Garde, Ulrike
AU - Haug, Helgard
AU - Kaegi, Stefan
AU - Wetzel, Daniel
PY - 2015
Y1 - 2015
N2 - Rimini Protokoll's Situation Rooms was first 'played out' on 23 August 2013 at the Turbinenhalle in Bochum. This "Multiplayer Video-Piece" is a remarkable experiment in participatory theatre, which combines elements of installation, "expert"-theatre, parcours and re-enactment. The following text provides a brief description of Situation Rooms, followed by an e-mail interview with Helgard Haug, Stefan Kaegi and Daniel Wetzel. This interview addresses questions and topics such as: the hybrid genre of Situation Rooms, its relation to earlier works, specific compositional decisions (about duration, the use of iPads, absent "experts"), and the piece's approach to interaction with the audience (including potential cognitive overload and denial of space for individual assessments, immersion, incompleteness as a principle), and aspects of audience feedback. The interview also considers the role of empathy, audiences' emotional involvement, the work's (apparent) proximity to practices of traditional theatre, and participation as an aspect of theatre and politics.
AB - Rimini Protokoll's Situation Rooms was first 'played out' on 23 August 2013 at the Turbinenhalle in Bochum. This "Multiplayer Video-Piece" is a remarkable experiment in participatory theatre, which combines elements of installation, "expert"-theatre, parcours and re-enactment. The following text provides a brief description of Situation Rooms, followed by an e-mail interview with Helgard Haug, Stefan Kaegi and Daniel Wetzel. This interview addresses questions and topics such as: the hybrid genre of Situation Rooms, its relation to earlier works, specific compositional decisions (about duration, the use of iPads, absent "experts"), and the piece's approach to interaction with the audience (including potential cognitive overload and denial of space for individual assessments, immersion, incompleteness as a principle), and aspects of audience feedback. The interview also considers the role of empathy, audiences' emotional involvement, the work's (apparent) proximity to practices of traditional theatre, and participation as an aspect of theatre and politics.
M3 - Other chapter contribution
SN - 9783865254542
T3 - Forum für deutschsprachiges Drama und Theater in Geschichte und Gegenwart
SP - 232
EP - 252
BT - Rimini Protokoll close-up
A2 - Birgfeld, Johannes
A2 - Garde, Ulrike
A2 - Mumford, Meg
PB - Wehrhahn
CY - Hannover
ER -