Emoji: a Baroque body in the theatricality of online interactions

Amin Heidari

    Research output: Contribution to journalArticlepeer-review

    Abstract

    Online users devise different strategies and techniques to make up for the absence of physical bodies in online communications, one of which is using emojis. Emojis are a diverse set of small images, symbols, or icons, standardized by the Unicode Consortium for utilization in electronic communication platforms. Their primary role is to effectively convey the emotional attitude of the writer, succinctly provide information, and playfully communicate messages. This article posits that bodily emojis (emojis portraying a body gesture or facial expression) are a form of digital embodiment. Their usage, thus, creates a form of digital performance. Emojis appear as a screen body in a space that lacks the physical one. Furthermore, I suggest that this body could be described as aesthetically Baroque. My proposition is that emojis exhibit Baroque characteristics such as dynamic and exaggerated forms and decorate texts. Emojis share similarities with the appearance and function of the Baroque body both in Baroque visual art and Baroque dance.
    Original languageEnglish
    Pages (from-to)27-41
    Number of pages15
    JournalScreen Bodies
    Volume8
    Issue number2
    DOIs
    Publication statusPublished - 1 Dec 2023

    Keywords

    • Baroque
    • body
    • emoji
    • online interactions
    • screen body
    • theatricality

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