Projects per year
Abstract
The link between music and emotion, as articulated from a cognitive perspective, assumes that music carries expressive cues that convey or induce emotional responses in listeners. Studies following this paradigm often investigate how responses converge or diverge among individuals, social groups, and cultures. However, results vary from one study to another, with few satisfactory explanations as to why. We contend that emotional responses to music are adaptable, arising from a conscious and subconscious continuous processing of the overarching situational context and its interaction with psychophysical, cultural, and personal variables. By integrating theory and data from multiple domains, we present the Framework for Adaptable Musical Emotions (FAME), which explains emotional responses to music through the mechanism of emotion adaptability on a continuum of evolutionary to fleeting time frames. FAME represents an advance on models of music and emotion that primarily focus on decoding emotional signals from the sounded music. FAME provides the first basis for predictions of emotional adaptability and situational context and may explain previously observed variability in emotional responses to music, guiding future research, and novel understandings.
Original language | English |
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Pages (from-to) | 451-483 |
Number of pages | 33 |
Journal | Empirical Studies of the Arts |
Volume | 43 |
Issue number | 1 |
Early online date | 7 Apr 2024 |
DOIs | |
Publication status | Published - Jan 2025 |
Externally published | Yes |
Keywords
- adaptive processes
- aesthetics
- affect
- emotion
- music
- situational context
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Dive into the research topics of 'Emotional responses to music: the essential inclusion of emotion adaptability and situational context'. Together they form a unique fingerprint.Projects
- 1 Finished
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Physical musicality: Optimising lived experience among older adults
Thompson, B., Davidson, J., Liu-Ambrose, T., Ho, R. T. H. & Green, R.
1/08/21 → 31/07/22
Project: Research