Abstract
This paper considers how knowledge of socio-spatial reality beyond regional
boundaries can help social history museums engage with and construct regional
identities. Inspired by ways in which human geographers conceptualise place and
space, my research explores contemporary mobilities and posthumanist concerns to
destabilise subject/object, people/place and local/global dualisms. At the heart of this work is a participatory, performative methodology, called ‘MAP:me’. During two
‘body mapping’ workshops, eight research participants enact identity and place into
being on life-size paper ‘body maps’; an exhibition to showcase their work is
produced. The results of ‘body mapping’ reveal globalised identities expressive of
non-representational concerns and attentive to the senses and contemporary mobilities. Shaped by research participants as collaborators and co-constructors of embodied knowledge, this way of interpreting social lives enlivens both museum and visitor. A ‘viscero-spatial curatorship’ emerges from this work to capture local identities as human/non-human entanglements in fluid, affective transnational spaces.
Original language | English |
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Pages (from-to) | 368-390 |
Number of pages | 23 |
Journal | Museum Management and Curatorship |
Volume | 29 |
Issue number | 4 |
DOIs | |
Publication status | Published - 2014 |
Keywords
- embodiment
- mobility
- non-representational theory
- performativity
- social space
- viscero-spatial curatorship