Exploring the space of perfectly balanced rhythms and scales

Andrew J. Milne*, David Bulger, Steffen A. Herff

*Corresponding author for this work

    Research output: Contribution to journalArticlepeer-review

    14 Citations (Scopus)

    Abstract

    Periodic scales and meters typically embody “organizational principles”–their pitches and onset times are not randomly distributed, but structured by rules or constraints. Identifying such principles is useful for understanding existing music and for generating novel music. In this article, we identify and discuss a novel organizational principle for scales and rhythms that we feel is of both theoretical interest and practical utility: perfect balance. When distributed around the circle, perfectly balanced rhythms and scales have their “centre of gravity” at the centre of the circle. The present article serves as a repository of the theorems and definitions crucial to perfect balance. It also further explores its mathematical ramifications by linking the existing theorems to algebraic number theory and computational optimizations. In the Online Supplement, http://www.dynamictonality.com/perfect_balance_files/, we provide audio samples of perfectly balanced rhythmic loops and microtonal scales, computational routines, and video demonstrations of some of the concepts.

    Original languageEnglish
    Pages (from-to)101-133
    Number of pages33
    JournalJournal of Mathematics and Music
    Volume11
    Issue number2-3
    DOIs
    Publication statusPublished - 2017

    Keywords

    • consonance and dissonance
    • evenness
    • perfect balance
    • rhythm and meter
    • scales

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