Abstract
This article examines the treatment of “copy” at the intersection of musical creativity and copyright law with regard to cover versions and sampling.
| Original language | English |
|---|---|
| Journal | M/C journal |
| Volume | 8 |
| Issue number | 3 |
| Publication status | Published - 2005 |
Bibliographical note
Copyright 2005 Collins, Steve; licensee QUT Creative Industries. This is an open access article distributed under the terms of the Creative Commons Attribution-Noncommercial-No Derivative Works License (http://creativecommons.org/licenses/by-nc-nd/3.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.Fingerprint
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