Guest editor's introduction

Phenomenology encounters cognitivism

Robert Sinnerbrink*

*Corresponding author for this work

Research output: Contribution to journalEditorial

Abstract

Since the early 1990s, phenomenology and cognitivism have become influential strands of inquiry in film theory. Phenomenological approaches remain focused on descriptive accounts of the embodied subject's experiential engagement with film, whereas cognitivist approaches attempt to provide explanatory accounts in order to theorize cognitively relevant aspects of our experience of movies. Both approaches, however, are faced with certain challenges. Phenomenology remains a descriptive theory that turns speculative once it ventures to "explain" the phenomena upon which it focuses. Cognitivism deploys naturalistic explanatory theories that can riskreductively distorting the phenomena upon which it focuses by not having an adequate phenomenology of subjective experience. Phenomenology and cognitivism could work together, I suggest,toground a pluralistic philosophy of film that is both descriptively rich and theoreticallyproductive. From this perspective, we would be better placed to integrate the cultural and historicalhorizons of meaning that mediate our subjective experience of cinema.

Original languageEnglish
Pages (from-to)1-19
Number of pages19
JournalProjections (New York)
Volume13
Issue number2
DOIs
Publication statusPublished - 1 Jun 2019

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Keywords

  • Cinema
  • Cognitivism
  • Emotion
  • Ethics
  • Film theory
  • Phenomenology
  • Pluralism

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