@inbook{8011adc549084809a163efdc0bf2a0e8,
title = "Hong Kong, films, and the building of China's soft power: the cross-promotion of Chinese films on globally oriented state television",
abstract = "This chapter analyzes China Central Television{\textquoteright}s (CCTV) cultural news reports about the Hong Kong film industry using a grounded theory, discursive and framing analysis approach. The CCTV{\textquoteright}s reports about the Hong Kong film industry give the impression that the formerly declining Hong Kong film industry has been revitalized thanks to China{\textquoteright}s open policies that permitted Hong Kong directors and artists to sell their films to the massive Mainland market. China is celebrated by CCTV as a driving force behind a growing Chinese film industry that increasingly revolves around commercially successful collaborations between Mainland, Hong Kong, and Taiwanese filmmakers. The image is one of a dynamic and flourishing Chinese film industry, which subtly reinforces China{\textquoteright}s growing influence in the region and the world.",
keywords = "Culture Express, Film Festival, Film Industry, International Audience, Soft Power",
author = "Lauren Gorfinkel and Xuezhong Su",
year = "2016",
doi = "10.1057/978-1-349-94932-8\_15",
language = "English",
isbn = "9781349949328",
series = "Global Cinema",
publisher = "Palgrave Macmillan",
pages = "265--293",
editor = "Lee, \{Joseph Tse-Hei\} and Satish Kolluri",
booktitle = "Hong Kong and Bollywood",
address = "United Kingdom",
}