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Hong Kong, films, and the building of China's soft power: the cross-promotion of Chinese films on globally oriented state television

Lauren Gorfinkel, Xuezhong Su

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

    Abstract

    This chapter analyzes China Central Television’s (CCTV) cultural news reports about the Hong Kong film industry using a grounded theory, discursive and framing analysis approach. The CCTV’s reports about the Hong Kong film industry give the impression that the formerly declining Hong Kong film industry has been revitalized thanks to China’s open policies that permitted Hong Kong directors and artists to sell their films to the massive Mainland market. China is celebrated by CCTV as a driving force behind a growing Chinese film industry that increasingly revolves around commercially successful collaborations between Mainland, Hong Kong, and Taiwanese filmmakers. The image is one of a dynamic and flourishing Chinese film industry, which subtly reinforces China’s growing influence in the region and the world.

    Original languageEnglish
    Title of host publicationHong Kong and Bollywood
    Subtitle of host publicationglobalization of Asian cinemas
    EditorsJoseph Tse-Hei Lee, Satish Kolluri
    Place of PublicationNew York
    PublisherPalgrave Macmillan
    Pages265-293
    Number of pages29
    ISBN (Print)9781349949328
    DOIs
    Publication statusPublished - 2016

    Publication series

    NameGlobal Cinema
    PublisherPalgrave Macmillan
    ISSN (Print)2634-5951
    ISSN (Electronic)2634-596X

    Keywords

    • Culture Express
    • Film Festival
    • Film Industry
    • International Audience
    • Soft Power

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