This paper addresses the comic routine of Australian born U.S. comedian Gregg Turkington's alter-ego, 'Neil Hamburger', from the perspective of Aristotle's ancient conception of the risible as a species of the unacceptable, or the unseemly. In doing so, it explores two thresholds of acceptability, subjective and social, which are relevant to an understanding of Hamburger's comic style. The paper argues that Hamburger's style willfully violates those thresholds, risking the audience's laughter, and yet working towards the visualization of a less normative kind of 'unseemliness' that underlies Hamburger's politics: reverence for celebrity and the sacred.
|Number of pages||17|
|Journal||Portal: Journal of Multidisciplinary International Studies|
|Publication status||Published - 2014|
Bibliographical noteCopyright the Author(s) 2014. Version archived for private and non-commercial use with the permission of the author/s and according to publisher conditions. For further rights please contact the publisher.
- Neil Hamburger
- The unacceptable