True Detective: existential scepticism and television crime drama

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    Abstract

    The three seasons of True Detective (HBO, Nic Pizzolatto 2014–19), especially
    season 1 (2014), were celebrated for their historical realism, moral complexity,
    and addressing of social themes. But they are also exemplary televisual
    explorations of the varieties of scepticism that morally engaged crime dramas
    are well placed to examine. Drawing on Stanley Cavell’s philosophical engagement with epistemic and moral scepticism in relation to cinema, I extend
    this approach to the television crime drama, taking True Detective as my
    philosophical case study. Pizzolatto’s existentially slanted series explores not
    only epistemic and moral scepticism but also what we might call existential
    scepticism—a thoroughgoing questioning of the contemporary bases of social
    existence extending to institutions of law and order, the family, religious
    belief, morality, love, and the possibility of transcendence.
    Original languageEnglish
    Title of host publicationTelevision with Stanley Cavell in mind
    EditorsDavid LaRocca, Sandra Laugier
    Place of PublicationExeter, UK
    PublisherUniversity of Exeter Press
    Chapter15
    Pages305-324
    Number of pages20
    ISBN (Electronic)9781804130193, 9781804130209
    ISBN (Print)9781804130186
    Publication statusPublished - 2023

    Bibliographical note

    Copyright the Author(s) 2023. Version archived for private and non-commercial use with the permission of the author/s and according to publisher conditions. For further rights please contact the publisher.

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