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Living by a code: best practices and conduct in the Australasian popular music industry

Guy Morrow

    Research output: Chapter in Book/Report/Conference proceeding › Conference proceeding contribution › peer-review

    Abstract

    This article explores the problems that Australasian artist managers face when attempting to build global careers for their clients in a world in which international record labels no longer play the key role that they did in the past. The research data generated to date suggest that artist managers' workloads have vastly increased, necessitating much more overseas travel to deal with all of the participants in their client's career instead of being able to go through an international record label's head office. While the artist managers' role is increasingly central, their attempts to work globally are hampered by a lack of consistency in relation to best practice and conduct across different territories.
    Original languageEnglish
    Title of host publicationInstruments of change
    Subtitle of host publicationproceedings of the International Association for the Study of Popular Music Australia-New Zealand 2010 Conference
    EditorsJennifer Cattermole, Graeme Smith, Shane Homan
    Place of PublicationMelbourne
    PublisherInternational Association for the Study of Popular Music
    Pages77-84
    Number of pages8
    ISBN (Print)9780975774748
    Publication statusPublished - 2011
    EventInternational Association for the Study of Popular Music Australia-New Zealand Conference - Melbourne
    Duration: 24 Nov 2010 → 26 Nov 2010

    Conference

    ConferenceInternational Association for the Study of Popular Music Australia-New Zealand Conference
    CityMelbourne
    Period24/11/10 → 26/11/10

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