Abstract
Nineteenth-century, private collections of ethnographic artefacts have a bad reputation in anthropology. Appearing to comprise ‘a haphazard assemblage of junk’ (Gathercole 1978:276), anthropologists and others interested in ethnographic objects and collecting have ignored private collections for some time. While Jean Louis Henri Beijens’s collection resembles at first glance a haphazard assemblage not worthy of attention, a closer inspection reveals its historical and contemporary significance. In this article, we offer a glimpse into Beijens’s private military collection, which contains artefacts originating from the Dutch colonies in both the East and West, as well as from Belgian Congo. Highlighting the colonial self-fashioning that occurred while he was assembling his ‘haphazard’ collection, we elucidate the colonial dispossession and violence that is at the heart of Beijens’s and other private and public collections. In doing so, this article attempts to address the enduring legacies and responsibilities of colonial collecting and collections.
Original language | English |
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Pages (from-to) | 317-352 |
Number of pages | 36 |
Journal | Bijdragen tot de Taal-, Land- en Volkenkunde = Journal of the Humanities and Social Sciences of Southeast Asia |
Volume | 179 |
Issue number | 3-4 |
DOIs | |
Publication status | Published - Dec 2023 |
Bibliographical note
Copyright the Author(s) 2023. Version archived for private and non-commercial use with the permission of the author/s and according to publisher conditions. For further rights please contact the publisher.Keywords
- colonialism
- decolonization
- ethnographic collections
- Indonesia
- KNIL
- Netherlands East Indies