Taking as its starting point four contemporary visual artists whose work utilizes the conventions of museum display and collecting practices, Memory Fragments examines how these artists have reconfigured dominant representations of Australian history and identity, including viewpoints often marginalized by gender and race. Echoing Walter Benjamin's reflections on history and time, this interdisciplinary volume will be of interest to scholars working in the arts as well as modern and postmodern cultural studies.
|Place of Publication||Bristol, UK|
|Number of pages||215|
|Publication status||Published - 2012|
- Australia--History--20th century
- Australia--Social conditions--20th century