Abstract
This creative research project investigates the ways in which a single rhythmic phrase can underpin a fully realised composition and arrangement. This composition addresses the research question:
In what ways can a single rhythmic ‘cell’ function as the cantus firmus of a jazz composition in order to influence additional musical components?
Miro builds on the work of master drummer Ed Blackwell by taking a short rhythmic phrase as the compositional starting point and building additional musical components around this idea. This initial phrase dictates the length of subsequent phrases (composed and/or improvised) as well as the length of sections, tempo, phrasing and harmonic choices. Several performance and arrangement possibilities are suggested including alternate bass and drum parts. Each soloist is also presented with options regarding the accompaniment and structure of their improvisations (these can be predetermined or spontaneous).
In what ways can a single rhythmic ‘cell’ function as the cantus firmus of a jazz composition in order to influence additional musical components?
Miro builds on the work of master drummer Ed Blackwell by taking a short rhythmic phrase as the compositional starting point and building additional musical components around this idea. This initial phrase dictates the length of subsequent phrases (composed and/or improvised) as well as the length of sections, tempo, phrasing and harmonic choices. Several performance and arrangement possibilities are suggested including alternate bass and drum parts. Each soloist is also presented with options regarding the accompaniment and structure of their improvisations (these can be predetermined or spontaneous).
| Original language | English |
|---|---|
| Place of Publication | Sydney, Australia |
| Publisher | The Australian Music Centre |
| Media of output | Online |
| Publication status | Published - 8 Dec 2021 |
Keywords
- Jazz
- Jazz in Sydney
- Australian Jazz
- improvisation
- saxophone
- jazz studies