Morphings and ur-forms: from flâneur to driveur

Sherman Young

Morphings and ur-forms: from flâneur to driveur

Sherman Young

Department of Media, Music, Communication and Cultural Studies

Research output: Contribution to journal › Article › peer-review

38 Downloads (Pure)

Abstract

The author argues that Sydney is produced through "a directed flanerie" located in the driver’s seat of the automobile where the urban environment becomes largely an "aesthetic distraction". Sydney as "a metropolis of driveurs" where speed and destination have transplanted the need for the journey is further explored in new media representations such as Project Gotham II where the city’s geography is turned into a racetrack for the solitary gameur.

Original language	English
Journal	Scan: journal of media arts culture
Volume	2
Issue number	1
Publication status	Published - 2005

Bibliographical note

Publisher version archived with the permission of the Editor, Scan, Department of Media, Macquarie University, NSW, Australia. This copy is available for individual, non-commercial use. Permission to reprint/republish this version for other uses must be obtained from the publisher.

Access to Document

Mq-4522-Publisher version (open access)Final published version, 499 KBLicence: Unspecified

Cite this

@article{32fbc90a2ac94acf9c279b529a0b932f,

title = "Morphings and ur-forms: from fl{\^a}neur to driveur",

abstract = "The author argues that Sydney is produced through {"}a directed flanerie{"} located in the driver{\textquoteright}s seat of the automobile where the urban environment becomes largely an {"}aesthetic distraction{"}. Sydney as {"}a metropolis of driveurs{"} where speed and destination have transplanted the need for the journey is further explored in new media representations such as Project Gotham II where the city{\textquoteright}s geography is turned into a racetrack for the solitary gameur.",

author = "Sherman Young",

note = "Publisher version archived with the permission of the Editor, Scan, Department of Media, Macquarie University, NSW, Australia. This copy is available for individual, non-commercial use. Permission to reprint/republish this version for other uses must be obtained from the publisher.",

year = "2005",

language = "English",

volume = "2",

journal = "Scan: journal of media arts culture",

issn = "1449-1818",

publisher = "Macquarie University",

number = "1",

}

TY - JOUR

T1 - Morphings and ur-forms

T2 - from flâneur to driveur

AU - Young, Sherman

N1 - Publisher version archived with the permission of the Editor, Scan, Department of Media, Macquarie University, NSW, Australia. This copy is available for individual, non-commercial use. Permission to reprint/republish this version for other uses must be obtained from the publisher.

PY - 2005

Y1 - 2005

N2 - The author argues that Sydney is produced through "a directed flanerie" located in the driver’s seat of the automobile where the urban environment becomes largely an "aesthetic distraction". Sydney as "a metropolis of driveurs" where speed and destination have transplanted the need for the journey is further explored in new media representations such as Project Gotham II where the city’s geography is turned into a racetrack for the solitary gameur.

AB - The author argues that Sydney is produced through "a directed flanerie" located in the driver’s seat of the automobile where the urban environment becomes largely an "aesthetic distraction". Sydney as "a metropolis of driveurs" where speed and destination have transplanted the need for the journey is further explored in new media representations such as Project Gotham II where the city’s geography is turned into a racetrack for the solitary gameur.

M3 - Article

VL - 2

JO - Scan: journal of media arts culture

JF - Scan: journal of media arts culture

SN - 1449-1818

IS - 1

ER -

Morphings and ur-forms: from flâneur to driveur

Abstract

Bibliographical note

Access to Document

Fingerprint

Cite this