Moving "The Matrix": kinesic excess and post-industrial being

Anne Cranny-Francis

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Abstract

"The Matrix" (1999) is movement, establishing the kinesics that characterise the trilogy generally and make their viewing a breathtaking experience. From the opening scenes of the first film to the final battle between Neo and Smith, and then Neo’s Superman flight over the Matrix simulation, the movement in the movie – of text and of people, creates the narrative that is the movie’s structuring device.
Original languageEnglish
Title of host publicationThe Matrix trilogy
Subtitle of host publicationcyberpunk reloaded
EditorsStacy Gillis
Place of PublicationLondon ; New York
PublisherWallflower
Pages101-113
Number of pages13
ISBN (Print)1904764339
Publication statusPublished - 2005

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