Museum practices and posthumanist technical and scientific assemblages

Deborah Lawler-Dormer; Christopher John Müller

doi:10.7238/ISEA2022.Proceedings

Museum practices and posthumanist technical and scientific assemblages

Deborah Lawler-Dormer, Christopher John Müller

Research output: Chapter in Book/Report/Conference proceeding › Conference proceeding contribution › peer-review

Abstract

This paper discusses the potential of computational media and museum collections to enable encounters with the technological present that complicate narratives of progress, modernity and individual (male) genius that often frame the conceptualization of technology in the museum space. It provides an account of an exhibition and associated time-based objects to help anchor a wider discussion of the potential of posthuman- ist modes of thinking in the museum space.

Original language	English
Title of host publication	Possibilities
Subtitle of host publication	Proceedings of ISEA2022, 27th International Symposium on Electronic Art
Editors	Pau Alsina, lrma Vilà, Susanna Tesconi, Joan Soler-Adillon, Enric Mor
Place of Publication	Barcelona
Publisher	ISEA
Pages	407-414
Number of pages	8
ISBN (Electronic)	9788408474592
DOIs	https://doi.org/10.7238/ISEA2022.Proceedings
Publication status	Published - 2022
Event	International Symposium on Electronic Art (27th: 2022) - Barcelona, Spain Duration: 10 Jun 2022 → 16 Jun 2022

Conference

Conference	International Symposium on Electronic Art (27th: 2022)
Abbreviated title	ISEA 2022
Country/Territory	Spain
City	Barcelona
Period	10/06/22 → 16/06/22

Access to Document

10.7238/ISEA2022.Proceedings

Cite this

@inproceedings{96a387566aa749f6b6d9715a627a0237,

title = "Museum practices and posthumanist technical and scientific assemblages",

abstract = "This paper discusses the potential of computational media and museum collections to enable encounters with the technological present that complicate narratives of progress, modernity and individual (male) genius that often frame the conceptualization of technology in the museum space. It provides an account of an exhibition and associated time-based objects to help anchor a wider discussion of the potential of posthuman- ist modes of thinking in the museum space.",

author = "Deborah Lawler-Dormer and M{\"u}ller, \{Christopher John\}",

year = "2022",

doi = "10.7238/ISEA2022.Proceedings",

language = "English",

pages = "407--414",

editor = "Pau Alsina and lrma Vil{\`a} and Susanna Tesconi and Joan Soler-Adillon and Enric Mor",

booktitle = "Possibilities",

publisher = "ISEA",

note = "International Symposium on Electronic Art (27th: 2022), ISEA 2022 ; Conference date: 10-06-2022 Through 16-06-2022",

}

Lawler-Dormer, D & Müller, CJ 2022, Museum practices and posthumanist technical and scientific assemblages. in P Alsina, L Vilà, S Tesconi, J Soler-Adillon & E Mor (eds), Possibilities: Proceedings of ISEA2022, 27th International Symposium on Electronic Art. ISEA, Barcelona, pp. 407-414, International Symposium on Electronic Art (27th: 2022), Barcelona, Spain, 10/06/22. https://doi.org/10.7238/ISEA2022.Proceedings

Museum practices and posthumanist technical and scientific assemblages. / Lawler-Dormer, Deborah; Müller, Christopher John.
Possibilities: Proceedings of ISEA2022, 27th International Symposium on Electronic Art. ed. / Pau Alsina; lrma Vilà; Susanna Tesconi; Joan Soler-Adillon; Enric Mor. Barcelona: ISEA, 2022. p. 407-414.

Research output: Chapter in Book/Report/Conference proceeding › Conference proceeding contribution › peer-review

TY - GEN

T1 - Museum practices and posthumanist technical and scientific assemblages

AU - Lawler-Dormer, Deborah

AU - Müller, Christopher John

PY - 2022

Y1 - 2022

N2 - This paper discusses the potential of computational media and museum collections to enable encounters with the technological present that complicate narratives of progress, modernity and individual (male) genius that often frame the conceptualization of technology in the museum space. It provides an account of an exhibition and associated time-based objects to help anchor a wider discussion of the potential of posthuman- ist modes of thinking in the museum space.

AB - This paper discusses the potential of computational media and museum collections to enable encounters with the technological present that complicate narratives of progress, modernity and individual (male) genius that often frame the conceptualization of technology in the museum space. It provides an account of an exhibition and associated time-based objects to help anchor a wider discussion of the potential of posthuman- ist modes of thinking in the museum space.

UR - https://doi.org/10.7238/ISEA2022.Proceedings

U2 - 10.7238/ISEA2022.Proceedings

DO - 10.7238/ISEA2022.Proceedings

M3 - Conference proceeding contribution

SP - 407

EP - 414

BT - Possibilities

A2 - Alsina, Pau

A2 - Vilà, lrma

A2 - Tesconi, Susanna

A2 - Soler-Adillon, Joan

A2 - Mor, Enric

PB - ISEA

CY - Barcelona

T2 - International Symposium on Electronic Art (27th: 2022)

Y2 - 10 June 2022 through 16 June 2022

ER -

Museum practices and posthumanist technical and scientific assemblages

Abstract

Conference

Access to Document

Other files and links

Fingerprint

Cite this