Abstract
This study investigates potential disruption from advertising-based video-on-demand (AVOD) streaming for new-release in-home films. Using stated-preference discrete choice experiments on representative samples from four major countries, we model demand and examine substitution patterns between AVOD and the incumbent transactional video-on-demand (TVOD) model. In addition, we consider illegal streaming alternatives, including the possibility of using a VPN to provide anonymity of the unlawful activity. We find strong preferences for AVOD across each country sample, with large cross-price substitution patterns away from TVOD. An entry simulation exercise provides back-of-the-envelope estimates for ad pricing required to offset reduced revenues if AVOD were offered alongside TVOD for new-release in-home films.
| Original language | English |
|---|---|
| Pages (from-to) | 407-433 |
| Number of pages | 27 |
| Journal | Journal of Cultural Economics |
| Volume | 49 |
| Issue number | 3 |
| Early online date | 27 Feb 2024 |
| DOIs | |
| Publication status | Published - Sept 2025 |
Bibliographical note
© The Author(s) 2024. Version archived for private and non-commercial use with the permission of the author/s and according to publisher conditions. For further rights please contact the publisher.Keywords
- Video on demand
- Digital distribution
- Movie industry
- Stated preference
- Online piracy