Abstract
The complex politics and protocols of cultural exchange in a community-based performance project are discussed. The key aspects and features of the ongoing Gathering Ground (GG) project are highlighted.
| Original language | English |
|---|---|
| Pages (from-to) | 169-191 |
| Number of pages | 23 |
| Journal | About performance, playing politics |
| Issue number | 9 |
| Publication status | Published - 2009 |
| Externally published | Yes |