Abstract
This article consists of an interview with composer Caroline Lucas. Throughout the interview, we discuss identity politics and radical artistic practices with reference to Lucas's recent compositions. Towards the end of the article, we problematise the implicit elitism and the social exclusion embedded in the practice of avant-garde academic music.
| Original language | English |
|---|---|
| Pages (from-to) | 210-222 |
| Number of pages | 13 |
| Journal | Contemporary Music Review |
| Volume | 34 |
| Issue number | 2-3 |
| DOIs | |
| Publication status | Published - 2015 |
| Externally published | Yes |
Keywords
- Composition
- Gender
- Nation
- Social exclusion
- Radical artistic practices
- Avant-garde music