Abstract
Discusses the self-likedness presented by Thomas More throughout his 'A Dialogue of Comfort Against Tribulation.' Implications of role-play in the text; More's fascination with what he perceived to be the theatricality of human experience; Consideration of how selection, interplay and performance of role form a strategy of self-presentation; More's unveiling of his text's artificiality.
| Original language | English |
|---|---|
| Pages (from-to) | 457-470 |
| Number of pages | 14 |
| Journal | Christianity and literature |
| Volume | 52 |
| Issue number | 4 |
| Publication status | Published - 2003 |
Keywords
- role-playing
- self-perception