Abstract
This essay analyses the way in which Anderson’s work mobilises perceptual matrices to induce this sense of otherness in the audience, which cannot be elucidated merely by a psychological account.
| Original language | English |
|---|---|
| Pages (from-to) | 1-10 |
| Number of pages | 10 |
| Journal | Body, Space and Technology |
| Volume | 5 |
| Publication status | Published - 2005 |