Sere Ni Cumu and the contemporary construction of place and identity in Taveuni, Fiji

Jennifer Cattermole

    Research output: Chapter in Book/Report/Conference proceedingConference proceeding contributionpeer-review

    Abstract

    This paper examines a Fijian popular music genre known as sere ni cumu (‘bumping songs’). My research investigates how and why Fijians have used this genre to express and construct their sense of place and identity (that is, who they are and where they are from). It explores how Fijians have adopted and localised contemporary, globally disseminated popular music styles to create sere ni cumu; it also describes the way musicians use this music to articulate their real and imagined relationships to specific places (both natural and supernatural) and groups of people.
    Original languageEnglish
    Title of host publicationRefereed papers from the 2nd International Small Island Cultures Conference
    Subtitle of host publicationheld at the Museum Theatre, Norfolk Island Museum, Kingston, Norfolk Island, 9-13 February 2006
    EditorsHenry Johnson
    Place of PublicationSydney
    PublisherSICRI
    Pages1-15
    Number of pages15
    ISBN (Print)0975824635
    Publication statusPublished - 2006
    EventInternational Small Island Cultures Conference (2nd : 2006) - Norfolk Island
    Duration: 9 Feb 200613 Feb 2006

    Conference

    ConferenceInternational Small Island Cultures Conference (2nd : 2006)
    CityNorfolk Island
    Period9/02/0613/02/06

    Keywords

    • Taveuni
    • Fiji
    • music

    Fingerprint

    Dive into the research topics of 'Sere Ni Cumu and the contemporary construction of place and identity in Taveuni, Fiji'. Together they form a unique fingerprint.

    Cite this