Abstract
The article examines how the film "Australia," by Baz Lurhmann accommodates the discourse of authors Felicity Collins and Therese Davis on post-Mabo and moves into post-apology territory. The author discusses the discourse on landscape cinema which has its heart the relationship among humans and nature. She, then, cites the landscape cinema as a reflection of a developing environment. Moreover, the juxtaposition of the of the movie is being discussed.
| Original language | English |
|---|---|
| Pages (from-to) | 89-93 |
| Number of pages | 5 |
| Journal | Metro magazine |
| Issue number | 165 |
| Publication status | Published - 2010 |