Abstract
The article examines how the film "Australia," by Baz Lurhmann accommodates the discourse of authors Felicity Collins and Therese Davis on post-Mabo and moves into post-apology territory. The author discusses the discourse on landscape cinema which has its heart the relationship among humans and nature. She, then, cites the landscape cinema as a reflection of a developing environment. Moreover, the juxtaposition of the of the movie is being discussed.
Original language | English |
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Pages (from-to) | 89-93 |
Number of pages | 5 |
Journal | Metro magazine |
Issue number | 165 |
Publication status | Published - 2010 |