Spatial representations common to music and bodily experience

    Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

    Abstract

    This chapter discusses evidence that musical pitch is conceived and represented spatially, and that bodily experience provides a rich source for conceptualizing music metaphorically. It also describes how bodily gestures may be combined with perceptual representations of music, focusing on music-related movements of performers, such as facial expressions and gestures. Such expressive bodily movements help to shape listeners’ perception of music structure and link perception to action. Furthermore, it describes the function of spatial representations of music, and discusses evidence that musical expertise affects the stability and reliability of these spatial representations. Finally, a cognitive-motor framework for understanding spatial representations of music is proposed, which makes predictions about how this representation is manifested, differentially relied on, and sometimes disrupted in individuals with varying levels of expertise.
    Original languageEnglish
    Title of host publicationThe Oxford handbook of music and the body
    EditorsYoun Kim, Sander L. Gilman
    Place of PublicationNew York, NY
    PublisherOxford University Press
    Chapter21
    Pages367-382
    Number of pages16
    ISBN (Print)9780190636234
    DOIs
    Publication statusPublished - 2019

    Publication series

    NameOxford handbooks

    Keywords

    • musical pitch
    • spatial representation
    • bodily movement
    • facial expression
    • gesture

    Fingerprint

    Dive into the research topics of 'Spatial representations common to music and bodily experience'. Together they form a unique fingerprint.

    Cite this