@inbook{e61a15f4e46a42f6a74fc783243b79f3,
title = "Spotlight on the audience: collective creativity in recent documentary and reality theatre from Australia and Germany",
abstract = "This essay analyses the crucial role of audiences in the collective processes of ascribing meaning to theatre performances with an interest in the {"}real{"}. Focusing on recent performances by Version 1.0 in Australia and Rimini Protokoll in Germany, it illustrates how the making of collective memory and processes of collectively ascribing authenticity can be interpreted as simultaneously influenced by transcultural artistic developments and by locally shaped audience expectations which respond to a specific cultural place and time.",
keywords = "'Reality Theatre', audiences, collective memory, authenticity, Australian and German theatre",
author = "Ulrike Garde",
year = "2011",
language = "English",
isbn = "9789042032736",
series = "Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft",
publisher = "Rodopi",
number = "148",
pages = "313--328",
editor = "Gerhard Fischer and Florian Vassen",
booktitle = "Collective creativity",
address = "Netherlands",
}