TY - JOUR
T1 - Technologically Mediated Transparency in Music Production
AU - Renzo, Adrian
AU - Collins, Steve
PY - 2017
Y1 - 2017
N2 - This article argues that several recent developments in popular music make the artist’s production process more transparent to listeners. By using loop pedals, by releasing the recorded stems of songs, or by uploading performative instructional videos on YouTube, producers “reveal” techniques used during the production process. Such revelations partly deconstruct earlier concerns from rock fans regarding the (lack of) authenticity of particular musics. Furthermore, we argue that these developments have a history in earlier forms of popular music, such as the “extended version” of 12-inch singles from the 1970s and 1980s. Here, songs were frequently stripped down to their core, making specific parts (and, by extension, specific arrangement techniques) more accessible to listeners.
AB - This article argues that several recent developments in popular music make the artist’s production process more transparent to listeners. By using loop pedals, by releasing the recorded stems of songs, or by uploading performative instructional videos on YouTube, producers “reveal” techniques used during the production process. Such revelations partly deconstruct earlier concerns from rock fans regarding the (lack of) authenticity of particular musics. Furthermore, we argue that these developments have a history in earlier forms of popular music, such as the “extended version” of 12-inch singles from the 1970s and 1980s. Here, songs were frequently stripped down to their core, making specific parts (and, by extension, specific arrangement techniques) more accessible to listeners.
UR - http://www.scopus.com/inward/record.url?scp=84953262676&partnerID=8YFLogxK
U2 - 10.1080/03007766.2015.1121643
DO - 10.1080/03007766.2015.1121643
M3 - Article
AN - SCOPUS:84953262676
SN - 0300-7766
VL - 40
SP - 406
EP - 421
JO - Popular Music and Society
JF - Popular Music and Society
IS - 4
ER -